I don’t want to make one of those click bait “the 90’s had the best music EVER!!” posts. One can find really terrible music and really excellent music in any decade. It would be a futile task to claim one decade had the best music.
I went down a strange rabbit hole the other day, though. I just put up a song on youtube and let the autoplay happen while I worked on some other things. It shifted into some sort of 90’s nostalgia playlist, and I kept hearing very surprising lyrics. They were songs I knew from living through the time, but they handled difficult subject matter in subtle and beautiful ways I hadn’t noticed.
I’d be surprised if songs like these could get on the radio today, but I distinctly remember hearing both of these songs on the radio in the 90’s.
Let’s start with “Round Here” by Counting Crows. First off, I’d like to point out that the song is through-composed, already something that could never happen today. The song appears to be about a depressed girl who attempts suicide. But it’s also about the disillusionment of growing up and finding out all those things you were told in childhood probably didn’t matter.
If you think it’s farfetched to have so much in one “pop” song, listen to it a few times. It’s all in there and more. A quick google search brings up wild, yet convincing, interpretations. This “universality” is the hallmark of great song art. Everyone listens to it and thinks it’s about their experience.
Here’s the opening:
Step out the front door like a ghost
Into the fog where no one notices
The contrast of white on white.
And in between the moon and you
The angels get a better view
Of the crumbling difference between wrong and right.
It opens with a beautiful simile. Sometimes pop songs have similes, but they tend to be funny or ironic. It’s hard to think of any current ones that do the hard work of writing something real. “Like a ghost into the fog” is such apt imagery for the point he’s making. Ghosts are white and ethereal. Fog is white and ethereal. A ghost that steps into fog loses all sense of self and no one else can see the person. They’re lost.
Then angels see a crumbling of the difference between wrong and right. This sort of moral ambiguity is another thing it would be hard to find in today’s lyrics. In the context of one of the interpretations I provided, this is probably in reference to how adults tell children right and wrong with clear certainty. As one grows up, one learns that it’s never that obvious.
The lyrics just keep getting better from there.
Next up is “Freshmen” by the Verve Pipe. This song hit Number 5 on the Billboard Top 100. Fifteen years ago, I thought I understood this song. Now I hear it from a totally different perspective.
Originally, I thought it was about a girl that broke up with the singer and then she killed herself over it. The singer is ridden with guilt. But the lyrics, when carefully analyzed, paint a slightly different picture.
Here’s the opening:
When I was young I knew everything
She a punk who rarely ever took advice
Now I’m guilt stricken,
Sobbing with my head on the floor
Stop a baby’s breath and a shoe full of rice
The singer is a typical Freshmen. He thinks he knows everything. This is part of what has changed for me in the song. I was pretty modest as a Freshmen, but now I can look back and it terrifies me how much I thought I knew. I’ve heard this feeling only gets worse as you age.
The key to the song is given right up front. “Stop a baby’s breath” is a reference to his girlfriend getting an abortion, and how this led to a fight and breakup. “A shoe full of rice” is about how they were even planning on getting married. Again, this is subtle imagery that blows by early on in the song. It requires careful attention if one is to understand the rest of the song.
I can’t be held responsible
This is something he tells himself, but he doesn’t believe it. This is a shift in voice, because it goes from narration of the story to internal thoughts. If one takes this line at face value without understanding this shift, one will misinterpret it. Here’s the chorus:
For the life of me I cannot remember
What made us think that we were wise and
We’d never compromise
For the life of me I cannot believe
We’d ever die for these sins
We were merely freshmen
Here’s another reference to his youthful arrogance. He thought he knew everything, and convinced his girlfriend to get the abortion. He refused to compromise and it destroyed their relationship. If you don’t know this song, it’s worth a listen to the rest. It progressively complicates as the guilt reverberates. He can’t hold other relationships out of fear of it happening again.
There’s something haunting about the reiteration of “we were merely freshmen” at the end of each phrase. When we’re young, we think we can do anything without much lasting consequence, but the singer learns the hard way that one devastating mistake can haunt you forever.
To wrap this up, I want to reiterate that it isn’t the difficulty of the subject matter that I find so amazing about these 90’s hits. Plenty of current hits have difficult subject matter. It’s the delicacy with which the lyrics handle the subject. It’s poetic and abstract so that the feeling comes through but the listener interprets it to apply to their own life.